February 2, 2012

AMBIG ZINE 9 RELEASE PARTY!!!!

Joe

February 1, 2012

AMBIG x Zine 9 Release Party!

Admin

Kolohe getting lunar and letting it all hang!

Admin

A Day in the Sun from Kolohe Andino on Vimeo.

Hairy Teeth Art Show

stink

January 31, 2012

February 4, 2012 | Michael Miller & Ernest Holzman at Known Gallery, Los Angeles

liz

Michael Miller
West Coast Hip Hop | A History in Pictures

Michael Miller is a simple man with an extraordinary life in photography. Over the past 25 years, he has built an expansive portfolio that includes over 300 major record covers, the most iconic supermodels of the ‘90s and some of the biggest names in rap and jazz.

Miller was born and raised in Los Angeles and recalls the only radio station that came in clear where he lived during his teenage years was AM 1580 KDAY. As a Santa Monica High School student in the midst of the punk, surf and skate scene, he was listening to RUN DMC, Doug E. Fresh and Slick Rick.

Miller graduated from UCLA with a B.A. in Film and Television and after college, he took a trip with friends to explore Paris where he met then boxer turned top agent Rene Bosne, who in time became Miller’s roommate in Paris and introduced Miller to his first camera. Miller began landing jobs shooting models for John Casablanca and later relocated to Barcelona, Spain where he began to build an impressive portfolio shooting for major campaigns such as Cacharel Paris.

Influenced by the techniques of Peter Lindberg, Paulo Roversi and Javier Vallhonrat, Miller developed a method of cross processing film and different chemical baths for black and white photographs. He was on to something that was still undiscovered in the United States, sharing his method with fellow photographers such as Anton Corbijn.

Homesick, Miller returned to his Los Angeles stomping grounds in 1988 and was immediately picked up by Herb Ritts’ agency Visages, shooting three advertisements for Vogue in the first month. His recognition for technique and style in fashion photography gained him attention in the music industry. By the end of 1988, he had photographed his first rapper, Arabian Prince.

Impressed with his major campaign for Stussy, DJ Muggs (7A3, Cypress Hill) asked Miller to photograph the demo for a new project titled Cypress Hill that led Miller to becoming a heavily sought after photographer for the hip-hop community.

Miller continues shooting for advertisment campaigns, major publications, celebrities and musicians.  He currently resides with his wife and two daughters in Los Angeles.  His inaugural show, West Coast Hip Hop, A History in Pictures, will display 43 photos, majority of which have never been shown to the public.

ERNEST HOLZMAN
UNDER OVER

When Ernest Holzman (b. 1951, Mexico City) was fifteen years old, he was given his first camera; a Leica M4 with a 50 mm lens. Originally a gift for his father from a colleague at the German Embassy, his father knew his son would put the camera to better use. Bored with high school, Holzman soon found himself walking the streets of New York, never searching for anything in particular to photograph, but always with the camera by his side. A novice in his newfound hobby, Holzman persuaded a man he met who worked for the Black Star Agency into giving him a few freelance assignments, which lead to being published anonymously in several obscure trade publications.

As a young and ambitious photographer, Holzman would knock on doors and convince people to let him shoot in places not open to the public. One night, after a run in with the authorities, Holzman spent the night in jail. After his release, he returned the following day and asked the jailer for permission to photograph the intriguing inmates he had befriended. The jailer agreed, with the condition that Holzman maintain their anonymity and only shoot their silhouettes, as seen in the photograph titled SOLITAIRE.

An inspired Holzman traveled to bizarre places, lugging around his not so compact 5×7 and 4×5 cameras and a portable darkroom in the back of his car. This was just the beginning of what became a career in photography that has spanned nearly three decades.

Under Over is an intimate collection of fourteen photographs taken between 1966-1972, primarily in cities east of the Mississippi. This will be Holzman’s first gallery exhibition of these vintage photographs.

Known Gallery
441 North Fairfax Avenue
Los Angeles, CA 90036
info@knowngallery.com
310-860-6263

January 30, 2012

MATT GORDON

liz

Matt Gordon’s current project is  a watercolored giclee – almost sold out make sure to get one now.

Insight X Warren Smith= Church

Admin

Church Spring 2012 Overview by Insight x Warren Smith from W E L C O M E R I V E R S on Vimeo.

January 25, 2012

LOOK INTO IT – IF YOU KNOW HOW

liz

“Look into it – if you know how…” A new show by longtime artist and friend, Rich Jacobs opens Saturday, January 28, 2012. In this new exhibition, Jacobs leads with the feelings associated with the creative process. In making abstract work the artist investigates the question of why he himself is drawn to making things. Jacobs’s newest body of work shows a more mature departure from his well-known figurative character heads that we have seen in the past, yet follow the same atonal rhythms that his music displays. With almost 100 new pieces including works on wood, pencil drawings, renderings, and patterns, Jacobs modestly asks that viewer just consider his works for a brief moment. “Beauty is a rare thing” says the artist, he hopes one will be inspired to make things after viewing the show. “Just a glance” he requests, “a look into it – if you can.”

Coinciding with this new exhibition will be a small “Move” group show, curated by Rich Jacobs. Featuring one piece each by artists: Sandy Yang, Aya Muto, Jeff Canham, Amanda Marsalis, James Gallagher, Billy Sprague, Orion Shepherd , Kelly Nicholson, Jordin Isip, Simone Shubuck, Erika Barboa, Clint Woodside, Tim Kerr, and possibly more. Each artist has been selected by Jacobs to show the influences and sometimes inspirations for his abstract works. As one approaches the gallery entrance -the viewer will instantly be asked a lot to visually consider. is it a large group show or the work of one artist? there seems to be groups of work that seem informed by one another but only somewhat loosely…there is a line that ties them together-what is it? It my just be the line, the energy, the color….wow the palette has changed some over the years too…a little brighter and hopeful this time. We invite you to “Look into it – if you know how.”

New Image Art | 7920 Santa Monica Blvd. | Los Angeles | CA | 90046

The NEFF Snow Down

Admin

January 24, 2012

Built to Ride Vol. 1

Admin

Built To Ride – Vol.1 from + M productions on Vimeo.

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